Jenny Hval - The Practice Of Love Review

Ever since Jenny Hval's critical and commercial breakthrough, Apocalypse, Girl in 2015, I was hooked to her music. Through the years I had grown to love the style of music from European countries such as Iceland's post-rock band Sigur Rós or Sweden's electronic duo, The Knife and later Fever Ray, but when I found Jenny Hval's music, I felt like I had found my favorite version of this kind of European singer-songwriter, since she contains the fabulous avant-garde sensibilities of Icelandic artist  Björk (who I was never much a fan of), while maintaining the elegant synth-pop style of an artist such as Fever Ray. As she blended the two seamlessly, she grew into her own, and I was already late to the party as Apocalypse, Girl was already her 4th album as Jenny and 6th overall! She continued in 2016 with her atmospheric, concept album, Blood Bitch (a masterwork in my opinion which will be covered in my Masterpiece series at a later date), a meditative EP in 2018 called The Long Sleep, and now her latest album in 2019, The Practice of Love.

Update: Backwords Thoughts Single OUT NOW

Update: Backwords Thoughts Single Release

The final supporting single from my debut album Crystallize, Backwords Thoughts, a revisit of my instrumental bonus track, is out now! Featuring verses by Long Island emcees B. Dvine and Thomas Coppola (both who I have reviewed in the past and Thomas who I have just recently interviewed), Backwords Thoughts is a fully-fleshed out idea with jewels of knowledge for your ears. Listen now on Bandcamp or any other streaming platform that you choose and listen to my album Crystallize on all music streaming platforms!

Thom Yorke - ANIMA Review

For an artist as inventive and mysterious as the lead singer and frontman of Radiohead, Thom Yorke has made a name for himself as a compelling creative force by carving out a diverse portfolio of a solo career, which has become a solid separation from the alternative rock group that made him world-renowned. His debut solo release, The Eraser in 2006, proved to the community of Radiohead fans that his work was intriguing and beautiful enough to stand on its own, and his following release, 2014’s Tomorrow’s Modern Boxes proved more of the same as an elegant, but mellow sophomore effort. Not only was Thom interested in his solo work, but he ended up forming his own side act out of his lineup who toured in support of The Eraser, which took the name after his track in that album, Atoms For Peace. They released their own album, AMOK, a year prior to Tomorrow’s Modern Boxes. Last year, Thom Yorke surprised his fans yet again with his first stab at film composing, with the horror remake Suspiria’s original score (my review of which you can read here), following in the footsteps of his bandmate Johnny Greenwood’s multiple film score outings, and reaffirming to the musical community that Radiohead’s music, as well as the work of the singular bandmates, is essentially designed and paired astonishingly well to visual storytelling. Now, just a half a year since his film score debut, Thom drops another sonic work of brilliance in the form of his third solo album, ANIMA. Besides being an extremely busy creative force, releasing albums on his own, with Radiohead, and his first film score, ANIMA shows listeners that Thom is far from slowing down. On the contrary, his musical journey only seems to expand even more with age, and this latest work of the imagination and dreams displays his masterful musical experimentation with grace and fluidity. 

Claud5 - Claudscape Review

Only a couple months after releasing his debut concept album, Dogs Carry Knives, Claud5 is back again with a tropicana, hip-hop, and nujabes-infused summer album, Claudscape! Not to put his debut, atmospheric, electronic debut in the rearview mirror, but in a way, to show another side to his persona, Claudscape is best enjoyed while kicked back on a warm, summer day, with a drink in hand, and it's an exciting genesis for an artist who clearly has been saving his songs in the bank and allowing them to grow in quantity and quality.

Tyler, The Creator - IGOR Review

What? Tyler, The Creator is evolving!

I'll admit, I had lost my interest in the self-described creator ever since his follow-up release to his major label debut, WOLF. I had an early interest in Odd Future Wolf Gang Kill Them All when they first arrived on the scene, boasting a large entourage of rappers and producers and putting out multiple albums and mixtapes and cross-promoting each other with features. I mostly just kept tabs on Tyler while I predicted that his protegé Earl Sweatshirt was going to eclipse him artistically. While over the years, Earl, who has stayed largely in the same minimalist, lo-fi musical landscape, Tyler, The Creator, has grown in style and ambition and has created an entirely new image for himself in his acclaimed hip-hop, R&B, and funk soaked album, IGOR.

Flying Lotus - Flamagra Review

Flying Lotus has become an amalgam of jazz, hip-hop, and electronica ever since he burst onto the scene with his minimalist beat-driven debut LP, 1983. A dusty, stripped-down collection of beats and electronic songs which defined him and defined an era of the late 2000s glitch hop scene. Since then, he has continued forward in big and exciting ways, releasing his touchstone classic, Los Angeles, and pushing forward into more styles and genres that all seem to melt into one signature sound in his follow-up works, Cosmogramma, Until The Quiet Comes, and You're Dead! This was a period of serious experimentation and collaboration into the genres of hip-hop, jazz, fusion, and cinematic, orchestrated greatness, and Flying Lotus, aka Steven Ellison, began a wild career full of all-star collaborations on these records. Artists such as Thundercat, Miguel Atwood-Ferguson, Erykah Badu, Radiohead's Thom Yorke, Snoop Dogg, and Kendrick Lamar, are just a few of the many team-ups gracing Ellison's catalog, and these artists and his forward-driving sound give them all a special place in history. Like Ellison's past work, Flamagra continues this tradition with more of that definitive experimentation in his most dynamic album to date.

E Dono The Gaijin - The #Donotape Review

A good friend who’s mixtape I slept on has new material, features, and previews to share in an exclusive release featured for free download on his website https://edonothegaijin.com !

A past radio cohort on the "Adrift In The Airwaves" radio run, E-ryDa, aka e dono The Gaijin, is a Waterbury, Connecticut producer and rapper, originally from the Bronx. His past cuts included guest features from members of his Woof Crew and Tyrant Lyfe members on his Error of Judgement 2 album, but the #donotape's got a raw flavor and style to it that showcases work that will appear in his sequel, the 3rd EoJ.

Crystallize DEBUT LP by DJ Dark Flow OUT NOW!!!!

Update: DJ Dark Flow - Crystallize LP Release

This June 1, 2019, Crystallize, my debut electronic LP, will be released into the world on all music platforms! I have had a long and exciting journey with music ever since my DJ alias was founded in 2008 for my late night radio program. Now, 11 years later, and 4 years after the release of my debut self-titled EP, comes my first full-length release!

Retrospective Review: DJ Shadow - Live in Manchester: The Mountain Has Fallen

DJ Shadow - Live in Manchester: The Mountain Has Fallen Review

Performing live in 2017 at a sold out show in Manchester, England, DJ Shadow produced his first live album in nearly a decade, and showed growth in areas of his original music to great effect. I personally was left in the dark regarding the existence of this masterful mix of music, but I am so glad to have discovered it. 

I normally keep track of DJ Shadow's studio productions, having played his latest full length, The Mountain Will Fall, from 2016, multiple times through and blasting his hypnotic, eccentric beats in my car system and headphones. Upon realizing that he has since produced a follow up EP titled The Mountain Has Fallen and a live concert CD/DVD combo of the same name, I had to jump on my own personal journey through it and subsequent analysis. 

Karen O & Danger Mouse - Lux Prima Review

Karen O and Danger Mouse - Lux Prima Review

Both of the musicians involved in the creation of this work have already had highly successful careers in their own right. Danger Mouse, involved as a partner for such musical acts as Gnarls Barkley, Broken Bells (with The Shins' frontman James Mercer), Danger Doom (with MF DOOM), as well as serving as a musical producer for Beck, The Black Keys, and Portugal. The Man among others, has proven time and time again that his talent for curating high-quality musical content for multiple big name artists is second to none. Karen O, frontwoman of the unique three-piece indie rock group The Yeah Yeah Yeahs, from New York City, has been one of the main reasons three of their four albums have been nominated for a Grammy award since their debut, Fever To Tell, in 2003. Together, it seems fitting that these two artists would come together for a stab at a collaborative album. For their debut together, Karen O and Danger Mouse join forces for an easy listening and satisfying electronic pop experience in Lux Prima.

Claud5 - Dogs Carry Knives Review

After years of incubating beats and simmering synths, Connecticut based lo-fi electronic beat producer and emcee Claud5 releases his debut solo effort, Dogs Carry Knives, and wastes no time in pulling listeners in to his world of mythos and flow.

A brisk, head nodding treat worthy of many spins, Dogs Carry Knives has an encompassing, cohesive skin and theme of dogs, or rather, their ancestors, and exhibits Claud5’ drum-synth abilities in highly evolved form. Despite his producer name, this album has the inescapable atmosphere and feeling of exploration and discovery that you would find aimlessly scouting through the woods in the dead of night.

Thom Yorke - Suspiria Review

One might have wondered how long it was going to take Thom Yorke, lead singer of Radiohead, to branch out into recording full length film soundtracks, following in the footsteps of his bandmate Jonny Greenwood, with his already extensive catalogue. For some, a movie can become more popularized when an already famous artist takes up the songwriting duties. I remember in 2007 when I heard that There Will Be Blood directed by Paul Thomas Anderson and starring Daniel Day-Lewis was going to have music made by Jonny Greenwood, and I was immediately interested in the film, feeling its status already elevated from my point of view. His work has continued with most recently You Were Never Really Here and Phantom Thread, both released just last year. As far as Thom is concerned though, there were hints that he was more interested in branching out musically, mostly due to his other side projects as a solo artist, his other band Atoms for Peace, and having some of his Radiohead and solo work already getting featured in a number of films. Radiohead's attempt to get the title track for the most recent James Bond film, Spectre, was unexpectedly turned down; they ended up releasing the eponymously titled track as a single and b-side anyways, on their latest studio effort, 2016's A Moon Shaped Pool. Now, Thom Yorke finally gets his first full length soundtrack to let loose and explore multiple genres: Radiohead(y) rock, eerie soundscapes, piano ballads, church-like choirs, and drone, which all blend in and out of each other seamlessly, as Thom uses his masterclass talent in songwriting and musical experimentation to create an unsettling and unforgettable mood to be paired with this highly acclaimed Suspiria remake.

Aphex Twin - Collapse EP Review

Aphex Twin - Collapse Review

Few electronic musicians can make music sound so utterly alien and beautiful simultaneously. For this reason, and for the sheer complexity and magnitude of the electronic landscapes willed into sonic existence, this balance of contrast exhibited by an artist such as Aphex Twin simply has no equal. Aphex Twin is Richard D. James, a man who’s been embroiled in the creation of computer music since the early 1980’s. His music often falls into one of two categories: pretty melodic ambience, or abrasive aural assault, and sometimes a combination of the two. After James’s more than decade-long hiatus as Aphex Twin, his reemergence with 2014’s SYRO, a collection of some of his best work produced during this period, earned him his first Grammy award for best electronic/dance album. Since his revival, Aphex Twin has arguably released some of his most exciting music after decades of growth, to be experienced and discovered by new generations. James followed up SYRO with his 2016 EP, Cheetah, which featured tracks using the rare, eponymous synthesizer and contained some of his most accessible, beat-driven work. His music and energy continues to morph on his 2018 EP, Collapse.

The Prodigy - No Tourists Review

When one considers the varying degrees and sub genres of electronic music and mainstream EDM nowadays, it’s hard not to remember one of the style’s most famous originators, The Prodigy. With early hits with undoubted club energy and aggressive poise, such as "Smack My Bitch Up" and "Firestarter", there’s certainly a style of hardcore acid synth rave which The Prodigy made their own, and which still sounds good to this day, even when considering that their first album was released over a quarter century ago. As music evolved and became more diverse electronically over the decades, The Prodigy have kept with the times and evolved their sound, keeping it current, even into the later 2010’s.

Update: Crimson Sky Kindle, Paperback, and Original Soundtrack OUT NOW!

Update: Crimson Sky Kindle, Paperback, and Original Soundtrack Release

My debut in literature is out now, a horror novella called Crimson Sky! It's a short story that became expanded into a novella, which is the length between a short story and a full-length novel. To coincide with my Kindle and paperback's release is the Crimson Sky Original Soundtrack produced under my musical alias, DJ Dark Flow.

Gorillaz - The Now Now Review

In terms of an all-encompassing artistic package, few bands come close to the audio-visual experience that is the Gorillaz. The only group that immediately comes to mind who truly comes close to or possibly exceeds in their musical and visual cohesion may be an act such as Tool, but not many bands show as much complete dedication to their visual aesthetic as Gorillaz, a co-collaboration between British singer-songwriter Damon Albarn and comic artist Jamie Hewlett. These two members have worked in tandem with each other to birth a mythology of virtual cartoon band members to go along with their albums, singles, and music videos. These four members, named Murdoc, Russel, 2-D, and Noodle, broke through the rock, electronic, and hip-pop mainstream consciousness with their storied music videos and live, projected stage presence with Albarn and his backing band. Just a year after releasing their feature-stuffed, colorful, and somewhat polarizing album Humanz, their legacy continues with their spontaneously released follow up, The Now Now.

Nine Inch Nails - Bad Witch & the EP trilogy Review

Nine Inch Nails - Bad Witch and the EP trilogy Review

Prelude

After Nine Inch Nails's last studio album, 2013's Hesitation Marks, underpinning an even more polished and poised electronic-industrial Trent Reznor, expectations were reasonably high for his eventual follow-up album. However, Reznor had been neck deep in scoring feature films and television shows with multiple time collaborator and director David Fincher, and the eye-opening documentaries Before The Flood and The Vietnam War, essentially fulfilling his lifelong dream of writing musical scores for films, and winning a Grammy while at it. No one could blame Reznor for being so ambitious, but it seemed almost impossible to imagine how he could fit Nine Inch Nails into such a tight schedule. Nevertheless, Reznor announced that 2016 would see new NIN material, and so anticipation ramped up. That same year, Reznor's longtime collaborator, Atticus Ross, was announced as the first official member to join Nine Inch Nails (Reznor would always use repeated and dedicated touring musicians to help him fully realize his primarily solo musical visions on stage). During the final month of the year, Reznor and Ross made good on their promise, finally announcing Not The Actual Events, the first EP in a series of three planned releases to comprise of an EP trilogy to be released right before the end of the year. Although this is a review of their final release of the three, Bad Witch, this is also a retrospective look at all three releases, and how the trilogy fits together as a whole, starting with Not The Actual Events.

The Nomad - Perilous Times Review

For years, Daimon Schwalger, aka The Nomad, has been producing electronic sounds, masterfully mixing elements of dubstep, reggae, drum and bass and electronic music. His unique sounds continue on his sixth LP, Perilous Times, which features a foray of electronic beats spanning many genres that all feel related, and a multitude of singers to give every song a fresh face. The Nomad proves to listeners that they should not expect to hear the same thing twice, as his tracks all bring something new to the table. The dark funky lull of the opening track, “Give Some Love,” resonates with a neo-disco soul similar to electronic dance artist TV On The Radio. The reggae melody that races through “Run Through These Streets” takes surprising twists and turns as Vida-Sunshyne sings, “These are really perilous times.”

Avey Tare - Down There Review

There is not a moment to spare from the beginning of Down There. Instantly Animal Collective member, Avey Tare, pulls listeners into a swampscape of blurry voices and wet beats for his debut solo effort. Animal Collective are known to craft songs that experiment with the production and style of modern music, to such a huge extent, that their music has gained a considerable cult following. This steady rise in popularity has only since exploded by the time the group released their mainstream breakout album, Merriweather Post Pavilion, in 2009.

Easy Star All-Stars - Dubber Side of The Moon Review

Another Dub Side? Easy Star All-Stars, the same guys behind the reggae cover albums for Dark Side of The Moon, Radiohead’s Ok Computer, and Sergeant Peppers Lonely Hearts Club Band, unveil a brand new release: Dub Side of The Moon, but remixed and reworked, and inevitably redubbed; Dubber Side of The Moon. These new tracks, redone with a more atmospheric and heavy bass quality, resonate proudly through any good pair of speakers, and you can tell instantly that these songs were meant to surround you, and pull you in. From the very start of “Speak To Me / Breathe,” it is obvious that this is a re-imagining of the classic Pink Floyd album. Synth programming and sound effects add all the more tribute to the intricacies of Pink Floyd’s masterpiece.