For the past 50 years we've been graced with one of the most defining albums of all time. One would think that any attempt to "redo" or remake an album of this magnitude, Pink Floyd's The Dark Side of The Moon, which we reviewed a few weeks ago, would be a foolish task, but the world's been shown that there are creative ways to honor and cover the original material. Back in 2003, reggae collective Easy Star All-Stars released their marijuana smoke-infused Dub Side of The Moon, and then in 2010, Dubber Side of The Moon. The Flaming Lips did their own take with Stardeath and White Dwarfs, giving their remake the same name to a more mixed reception. Overall it shows the appreciation and influence these talented artists have felt from the 1973 masterpiece so much so that paying tribute is mostly a badge of honor.
After stumbling across an excellent website, Topsters, I realized I would take a crack at putting together a top-100 album list for myself. The resulting list is my top 100 albums of all time, drawn from my own personal music journey.
Amid the bleak worldwide pandemic, both major and independent music has been thumping and more alive than ever. Artists’ projects that have been cooking for the majority of 2020 and some of 2019 show that the perseverance to survive and thrive is strong in artists. We have covered Thomas Coppola's previous album releases, Dusty and Cold Cuts, and have even featured him in our first ever interview! Suffice it to say, Coppola has come a long way, and releasing just on Halloween is Coppola's entirely produced collaborative album with rapper Fendii, Fendii Flannel!
Two releases that have escaped me over the past year were from drone metal gods, Sunn O))) (pronounced just Sun, and aptly named after the popular Sunn amplifiers which ceased operation in 2002), with their half-improvised, half-composed twin albums, Life Metal, and Pyroclasts. For any newcomers to this genre of mammoth sounds and drastically slowed reverberations, these two (relatively) new releases cement this duo's legacy as drone metal pioneers and an awesome entry point for anyone interested in pulling back the veil of the eternal void.
As an accomplished and fan-favorite indie musician marching to the beat of his own drum, Sufjan (pronounced SOOF-yahn) Stevens has mastered nearly every corner of electronic and indie rock productions, often recording either bare-bones recordings that put his breathy vocals and a single instrument in the forefront, or creating a lush atmosphere of electronic orchestrations. The Ascension takes all of this growth over the past 20 years of his career and places it affirmatively into a seminal album full of love and hope.
