Thomas Coppola - Dusty Review

Premium-grade production and a voice that you can chill or ride to are just a few of the many ways to classify Long Island rapper Thomas Coppola’s latest full-length album, Dusty, a tribute to his home state of New York and the legends of hip-hop who kick-started the movement.

Update: Interviews Incoming

As an ongoing attempt to bring my online publication to the next level, I will start publishing focused and unique interviews on the AirdriftSignals platform. When there are new music releases from independent artists, I will provide an opportunity for the artist to speak for the music themselves, and also give their insight into what goes on in their creative process. This will usually be accompanied by a full review of the artist's latest release that will follow up as the next entry of this publication.

Freddie Gibbs & Madlib - Bandana Review

Freddie Gibbs and Madlib - Bandana Review

Bandana, the second record of a planned trilogy by hip-hop duo MadGibbs, Freddie Gibbs and Madlib bring the heat just as expected. Not only does Bandana build upon their first album, 2014’s Piñata (my review of which can be read here), but it also delivers an impeccable flow by Freddie with m.ind a.ltering d.emented l.essons i.n b.eats to match. 

Thom Yorke - ANIMA Review

For an artist as inventive and mysterious as the lead singer and frontman of Radiohead, Thom Yorke has made a name for himself as a compelling creative force by carving out a diverse portfolio of a solo career, which has become a solid separation from the alternative rock group that made him world-renowned. His debut solo release, The Eraser in 2006, proved to the community of Radiohead fans that his work was intriguing and beautiful enough to stand on its own, and his following release, 2014’s Tomorrow’s Modern Boxes proved more of the same as an elegant, but mellow sophomore effort. Not only was Thom interested in his solo work, but he ended up forming his own side act out of his lineup who toured in support of The Eraser, which took the name after his track in that album, Atoms For Peace. They released their own album, AMOK, a year prior to Tomorrow’s Modern Boxes. Last year, Thom Yorke surprised his fans yet again with his first stab at film composing, with the horror remake Suspiria’s original score (my review of which you can read here), following in the footsteps of his bandmate Johnny Greenwood’s multiple film score outings, and reaffirming to the musical community that Radiohead’s music, as well as the work of the singular bandmates, is essentially designed and paired astonishingly well to visual storytelling. Now, just a half a year since his film score debut, Thom drops another sonic work of brilliance in the form of his third solo album, ANIMA. Besides being an extremely busy creative force, releasing albums on his own, with Radiohead, and his first film score, ANIMA shows listeners that Thom is far from slowing down. On the contrary, his musical journey only seems to expand even more with age, and this latest work of the imagination and dreams displays his masterful musical experimentation with grace and fluidity. 

Masterpiece Crate #1: Nirvana - Nevermind

Nirvana - Nevermind Analysis and Review

September 24, 1991

Starting off this 49-album series is the worldwide commercial breakthrough of an entire genre and the monolithic rise of a band destined for tragedy. Another band I have been exposed to later in life followed a similar trajectory with their frontman just over 20 years prior, and that was The Doors, a band which had a frontman full of mystery, intrigue, and demons, who ultimately succumbed to a death that was equally as suspicious as our latter subject's demise, but this group was before my time, and so I digress.