Earth’s Full Upon Her Burning Lips (2019) is an awesome showcase of doom metal, and probably the ultimate example of metal you can chill to

Earth - Full Upon Her Burning Lips Review

Earth, a group that helped to define and form the genre of ambient metal, doom, drone, or stoner metal, has had multiple releases since the early 1990s. Taking elements from grunge and other forms of heavy metal music, Earth's founding member Dylan Carlson was notably friends with Kurt Cobain. Earth's origins in Seattle also explain this emerging hub of hard rock music that continues to be a haven of major and independent music to this day. Their latest release was last year's Full Upon Her Burning Lips, and while I am guilty of sleeping on this instrumental album, Earth has remained a personal favorite of mine, as they defined the perfect form of metal that you can relax to. Full Upon Her Burning Lips builds upon their previous releases and makes for an engrossing showcase of strong and steady guitar riffs and atmospheric drums and percussion. 

System Of A Down’s first music in 15 years, Protect The Land, and Genocidal Humanoidz, brings to light immediate atrocities committed in their homeland

System Of A Down - Protect The Land / Genocidal Humanoidz Review

Now is a pivotal time in world history, which should go without saying. Not only are Americans and worldwide citizens bearing witness to a historic election year, but a once-in-a-century worldwide pandemic has rocked the world. If there could be any more unpredictability, it is that ISIS terrorists from Syria, along with the corrupt regimes of Azerbaijan and Turkey have declared war on the independent Republic of Nagorno-Karabakh, committing unspeakable crimes against humanity. These atrocities that are being committed have brought out from hiatus System of A Down, who are releasing their first new music in 15 years. 

Long Island artists Thomas Coppola and Fendii release their collaborative album, Fendii Flannel!

Thomas Coppola - Fendii Flannel Review

Amid the bleak worldwide pandemic, both major and independent music has been thumping and more alive than ever. Artists’ projects that have been cooking for the majority of 2020 and some of 2019 show that the perseverance to survive and thrive is strong in artists. We have covered Thomas Coppola's previous album releases, Dusty and Cold Cuts, and have even featured him in our first ever interview! Suffice it to say, Coppola has come a long way, and releasing just on Halloween is Coppola's entirely produced collaborative album with rapper Fendii, Fendii Flannel! 

AirdriftSignals EXCLUSIVE: Barcelona-based alternative heavy metal group Obsidian Kingdom discuss their new LP, MEAT MACHINE

Obsidian Kingdom Interview

Our AirdriftSignals Artist Spotlight Interview series covers this time, Barcelona-based alternative heavy metal act, Obsidian Kingdom, who are promoting their brand new album, MEAT MACHINE!

AirdriftSignals: This third LP, MEAT MACHINE, is the first to feature primary female vocals in your songs, performed by one of your guitarists Irene, and the split vocal duties you bring is a welcome transition between the equally pleasing aggressive and tender moments of the album. Can you speak a little about how you came about deciding your latest lineup change and the addition of this contrast to your new songs?

Amorphous and constantly reinventing heavy metal-alternative rock group Obsidian Kingdom drop their third genre-smashing album, MEAT MACHINE - Album Review

Obsidian Kingdom - MEAT MACHINE Review

Obsidian Kingdom are no strangers to change, as we have seen from our exclusive interview with them. By their third full-length LP, they have proven themselves as masters of reinvention with a talent for displaying a wide swath of genre sensibilities. It all started with their debut maxi-single, Matter, a 5-track black-metal ode to the elements. Their follow-up EP, 3:11, showed a tighter production quality with 3 massive songs, but still treading familiar waters. What really set Obsidian Kingdom apart was their full-length debut, Mantiis, a sprawling single song concept album subdivided into 14 tracks that go from theatrical, to hard rock, to heavy black metal, and back, all with elements of electronic music and other styles. What it did essentially was take the overarching genre of heavy metal and lit it on fire. A Year With No Summer was no different. Released in 2016, the group blended more elements of drone metal, electronic atmospheres, and alternative rock. Now, just a month ago, MEAT MACHINE defines Obsidian Kingdom as their own trailblazers.