Showing posts with label Music Reviews. Show all posts
Showing posts with label Music Reviews. Show all posts

June 13, 2019

Nox - The Formula EP Review

Nox - The Formula Review

Nox - The Formula EP Review

Long Island emcee Nox released his fine-tuned and diverse debut EP, The Formula late last year, getting his pure styled productions and raps in before the year’s end. Much like the hit AMC program Breaking Bad, The Formula is a recipe of music that's been cooked with enough ideas and winning ingredients to create a euphoric chemical bliss for fans of conscious and creative hip-hop.

June 5, 2019

Claud5 - Claudscape Review

Claud5 - Claudscape Review

Claud5 - Claudscape Review

Only a couple months after releasing his debut concept album, Dogs Carry Knives, Claud5 is back again with a tropicana, hip-hop, and nujabes-infused summer album, Claudscape! Not to put his debut, atmospheric, electronic debut in the rearview mirror, but in a way, to show another side to his persona, Claudscape is best enjoyed while kicked back on a warm, summer day, with a drink in hand, and it's an exciting genesis for an artist who clearly has been saving his songs in the bank and allowing them to grow in quantity and quality.

May 30, 2019

Tyler, The Creator - IGOR Review

Tyler, The Creator - IGOR Review

Tyler, The Creator - IGOR Review

What? Tyler, The Creator is evolving!

I'll admit, I had lost my interest in the self-described creator ever since his follow-up release to his major label debut, WOLF. I had an early interest in Odd Future Wolf Gang Kill Them All when they first arrived on the scene, boasting a large entourage of rappers and producers and putting out multiple albums and mixtapes and cross-promoting each other with features. I mostly just kept tabs on Tyler while I predicted that his protegé Earl Sweatshirt was going to eclipse him artistically. While over the years, Earl, who has stayed largely in the same minimalist, lo-fi musical landscape, Tyler, The Creator, has grown in style and ambition and has created an entirely new image for himself in his acclaimed hip-hop, R&B, and funk soaked album, IGOR.

May 24, 2019

Flying Lotus - Flamagra Review

Flying Lotus - Flamagra Review

Flying Lotus - Flamagra Review

Flying Lotus has become an amalgam of jazz, hip-hop, and electronica ever since he burst onto the scene with his minimalist beat-driven debut LP, 1983. A dusty, stripped-down collection of beats and electronic songs which defined him and defined an era of the late 2000s glitch hop scene. Since then, he has continued forward in big and exciting ways, releasing his touchstone classic, Los Angeles, and pushing forward into more styles and genres that all seem to melt into one signature sound in his follow-up works, Cosmogramma, Until The Quiet Comes, and You're Dead! This was a period of serious experimentation and collaboration into the genres of hip-hop, jazz, fusion, and cinematic, orchestrated greatness, and Flying Lotus, aka Steven Ellison, began a wild career full of all-star collaborations on these records. Artists such as Thundercat, Miguel Atwood-Ferguson, Erykah Badu, Radiohead's Thom Yorke, Snoop Dogg, and Kendrick Lamar, are just a few of the many team-ups gracing Ellison's catalog, and these artists and his forward-driving sound give them all a special place in history. Like Ellison's past work, Flamagra continues this tradition with more of that definitive experimentation in his most dynamic album to date.

May 16, 2019

e dono The Gaijin - the #donotape Review

E Dono The Gaijin - The #Donotape Review

E Dono The Gaijin - The #Donotape Review

A good friend who’s mixtape I slept on has new material, features, and previews to share in an exclusive release featured for free download on his website https://edonothegaijin.com !

A past radio cohort on the "Adrift In The Airwaves" radio run, E-ryDa, aka e dono The Gaijin, is a Waterbury, Connecticut producer and rapper, originally from the Bronx. His past cuts included guest features from members of his Woof Crew and Tyrant Lyfe members on his Error of Judgement 2 album, but the #donotape's got a raw flavor and style to it that showcases work that will appear in his sequel, the 3rd EoJ.

April 7, 2019

Milestones Part III: Writing

Milestones Part III: Writing

Milestones Part III: Writing Poems of My PastEver since I was exposed to music, I really felt an appreciation for written lyric, and wanted to be a songwriter myself... As you might already have noticed, all of my milestones and creative passions funnel back to music. For that I always have to thank my dad for inspiring me and promoting it in my life. From writing written lyrics with my acoustic guitar, I began to get a feel for rhyming and poetic storytelling. It was exhilarating creating and recording my own acoustic songs on my 16-track Fostex, some of which are still around today, buried in my computer files. 

Additionally, reading fantastical stories of adventures in western wastelands (Stephen King's Dark Tower series) or bleak post apocalyptic winters (Cormac McCarthy's The Road) would leave marks forever burned into my memory. As I combined these and other intense stories with instrumental playlists I would create, I was enthralled and inspired by the power of written storytelling.

April 3, 2019

Marvin Gaye - You're The Man Review

Marvin Gaye - You're The Man Review

Marvin Gaye - You're The Man Review

Preserved in a time capsule and shelved for decades, Marvin Gaye’s “lost album” You’re The Man finally sees the light of day on March 29, 2019, nearly half a century after its originally intended release, and I can’t believe that I have the pleasure of reviewing a Marvin Gaye album as a “brand new” release! The original sequel to his landmark classic album What’s Going On, You’re The Man was shelved due to political differences between Gaye and Motown Records founder Berry Gordy, and also due to poor reception of his title track lead single, but whereas What’s Going On was intended as an anti-war album, You’re The Man is a triumphant anti-hate album.

March 29, 2019

Retrospective Review: DJ Shadow - Live in Manchester: The Mountain Has Fallen

DJ Shadow - Live in Manchester: The Mountain Has Fallen Review

DJ Shadow - Live in Manchester: The Mountain Has Fallen Review

Performing live in 2017 at a sold out show in Manchester, England, DJ Shadow produced his first live album in nearly a decade, and showed growth in areas of his original music to great effect. I personally was left in the dark regarding the existence of this masterful mix of music, but I am so glad to have discovered it. 

I normally keep track of DJ Shadow's studio productions, having played his latest full length, The Mountain Will Fall, from 2016, multiple times through and blasting his hypnotic, eccentric beats in my car system and headphones. Upon realizing that he has since produced a follow up EP titled The Mountain Has Fallen and a live concert CD/DVD combo of the same name, I had to jump on my own personal journey through it and subsequent analysis. 

March 27, 2019

Retrospective Review: Paranormal Adam (PA) - The Black Plague

Paranormal Adam (PA) - The Black Plague Review

Paranormal Adam (PA) - The Black Plague Review

I wish I knew about my new friend, Paranormal Adam's, latest album at the time when it came out! It seemed a shame to pass up writing something about this splendid work of art, therefore, I will be starting another series of articles from time to time which will focus on albums which might have released a bit before my review window, and which I feel deserve an extra push into the spotlight of public consciousness. It's a pleasure, then, to introduce the first album in my retrospective review series: Paranormal Adam's The Black Plague.

March 17, 2019

Karen O & Danger Mouse - Lux Prima Review

Karen O and Danger Mouse - Lux Prima Review

Karen O and Danger Mouse - Lux Prima Review

Both of the musicians involved in the creation of this work have already had highly successful careers in their own right. Danger Mouse, involved as a partner for such musical acts as Gnarls Barkley, Broken Bells (with The Shins' frontman James Mercer), Danger Doom (with MF DOOM), as well as serving as a musical producer for Beck, The Black Keys, and Portugal. The Man among others, has proven time and time again that his talent for curating high-quality musical content for multiple big name artists is second to none. Karen O, frontwoman of the unique three-piece indie rock group The Yeah Yeah Yeahs, from New York City, has been one of the main reasons three of their four albums have been nominated for a Grammy award since their debut, Fever To Tell, in 2003. Together, it seems fitting that these two artists would come together for a stab at a collaborative album. For their debut together, Karen O and Danger Mouse join forces for an easy listening and satisfying electronic pop experience in Lux Prima.

March 11, 2019

Claud5 - Dogs Carry Knives Review

Claud5 - Dogs Carry Knives Review

Claud5 - Dogs Carry Knives Review

After years of incubating beats and simmering synths, Connecticut based lo-fi electronic beat producer and emcee Claud5 releases his debut solo effort, Dogs Carry Knives, and wastes no time in pulling listeners in to his world of mythos and flow.

A brisk, head nodding treat worthy of many spins, Dogs Carry Knives has an encompassing, cohesive skin and theme of dogs, or rather, their ancestors, and exhibits Claud5’ drum-synth abilities in highly evolved form. Despite his producer name, this album has the inescapable atmosphere and feeling of exploration and discovery that you would find aimlessly scouting through the woods in the dead of night.

February 27, 2019

B. Dvine - The Process of Illumination Review

B. Dvine - The Process of Illumination Review

B. Dvine - The Process of Illumination Review

Bom-b-b-b-b-bombastic beats and sharp cutting wordplay inspires and gives power to those who want to take a dive into Long Island beat producer and emcee B. Dvine's newest full length mixtape, The Process of Illumination.

A step up in his production game since his 2017 mixtape, Dvine Intervention, B. Dvine, aka Brian Daly, diversifies his already illustrious and decorated portfolio by picking up the pen. In actuality, Daly has been refining his vocal persona for a number of years, but now he is able to display his talent and evolution on this February 25th release, and by supporting it with Full Blast booking's "Goin' Coastal Tour" on the East and West coasts.

December 29, 2018

Earl Sweatshirt - Some Rap Songs Review

Earl Sweatshirt - Some Rap Songs Review

Earl Sweatshirt - Some Rap Songs Review


Back when Odd Future Wolf Gang Kill Them All was a budding rap collective in the late 2000's, one of Tyler, The Creator's greatest finds was a young kid, still in school, but with an unbelievable knack for stringing words and phrases together. This kid was only 15 when he started to write songs with Tyler, and in 2010, Odd Future released his first mixtape, titled Earl, at just 16 years of age. From the beginnings of these early recordings, it was clear that Earl Sweatshirt was a shining star within the enormous rap group. His wordplay was unmatched, and his talent was just beginning to be mined. Shortly after the release of his depraved, humorous, and often violent mixtape, his mother, UCLA professor Cheryl Harris, sent him to a boarding school for at-risk youth after becoming aware of his drug habits. His return marked the release of his first official studio album with Columbia Records, Doris, a significant work that cemented his name in the hip-hop world at only 19 years old. A couple years later, Earl's followup was released, which was also met with critical acclaim. Now in 2018, his latest album displays the most mature and raw version of Earl Sweatshirt that fans have seen thus far. Some Rap Songs is so artistic and high-brow, casual listeners may not even notice its greatness. Only real fans of the genre will turn their heads and nod in appreciation for what Earl does in this soulful, rhythm-rhyme laced, tightly woven album, one which is cleverly disguised as a lo-fi collage of disjointed beats and verses.

December 18, 2018

Thom Yorke - Suspiria Review

Thom Yorke - Suspiria Review

Thom Yorke - Suspiria Review


One might have wondered how long it was going to take Thom Yorke, lead singer of Radiohead, to branch out into recording full length film soundtracks, following in the footsteps of his bandmate Jonny Greenwood, with his already extensive catalogue. For some, a movie can become more popularized when an already famous artist takes up the songwriting duties. I remember in 2007 when I heard that There Will Be Blood directed by Paul Thomas Anderson and starring Daniel Day-Lewis was going to have music made by Jonny Greenwood, and I was immediately interested in the film, feeling its status already elevated from my point of view. His work has continued with most recently You Were Never Really Here and Phantom Thread, both released just last year. As far as Thom is concerned though, there were hints that he was more interested in branching out musically, mostly due to his other side projects as a solo artist, his other band Atoms for Peace, and having some of his Radiohead and solo work already getting featured in a number of films. Radiohead's attempt to get the title track for the most recent James Bond film, Spectre, was unexpectedly turned down; they ended up releasing the eponymously titled track as a single and b-side anyways, on their latest studio effort, 2016's A Moon Shaped Pool. Now, Thom Yorke finally gets his first full length soundtrack to let loose and explore multiple genres: Radiohead(y) rock, eerie soundscapes, piano ballads, church-like choirs, and drone, which all blend in and out of each other seamlessly, as Thom uses his masterclass talent in songwriting and musical experimentation to create an unsettling and unforgettable mood to be paired with this highly acclaimed Suspiria remake.

December 2, 2018

Aphex Twin - Collapse EP Review

Aphex Twin - Collapse Review

Aphex Twin - Collapse EP Review

Few electronic musicians can make music sound so utterly alien and beautiful simultaneously. For this reason, and for the sheer complexity and magnitude of the electronic landscapes willed into sonic existence, this balance of contrast exhibited by an artist such as Aphex Twin simply has no equal. Aphex Twin is Richard D. James, a man who’s been embroiled in the creation of computer music since the early 1980’s. His music often falls into one of two categories: pretty melodic ambience, or abrasive aural assault, and sometimes a combination of the two. After James’s more than decade-long hiatus as Aphex Twin, his reemergence with 2014’s Syro, a collection of some of his best work produced during this period, earned him his first Grammy award for best electronic/dance album. Since his revival, Aphex Twin has arguably released some of his most exciting music after decades of growth, to be experienced and discovered by new generations. James followed up Syro with his 2016 EP, Cheetah, which featured tracks using the rare, eponymous synthesizer and contained some of his most accessible, beat-driven work. His music and energy continues to morph on his 2018 EP, Collapse.

November 2, 2018

The Prodigy - No Tourists Review

The Prodigy - No Tourists Review

The Prodigy - No Tourists Review

When one considers the varying degrees and sub genres of electronic music and mainstream EDM nowadays, it’s hard not to remember one of the style’s most famous originators, The Prodigy. With early hits with undoubted club energy and aggressive poise, such as "Smack My Bitch Up" and "Firestarter", there’s certainly a style of hardcore acid synth rave which The Prodigy made their own, and which still sounds good to this day, even when considering that their first album was released over a quarter century ago. As music evolved and became more diverse electronically over the decades, The Prodigy have kept with the times and evolved their sound, keeping it current, even into the later 2010’s.

August 26, 2018

Alice In Chains - Rainer Fog Review

Alice In Chains - Rainer Fog Review

Alice In Chains - Rainer Fog Review

As a group that has shown perseverance and evolution through its tumultuous beginnings and tragic loss, Alice In Chains has become a shining example of an act who's show can, and must, go on. Jerry Cantrell, original founding member and songwriter of the group, learned to find his voice after the tragic overdose of legendary vocalist Layne Staley left him with no other choice but to step in and become the lead. Of course, all wouldn't have been as easily possible without enlisting the help of close friend and co-vocalist William DuVall. Through this questionable decision to continue on without their chief vocalist Staley, Alice In Chains have been able to grow into a healthy, heavy, and critically acclaimed second act in their career, first with the release of their 2009 comeback album Black Gives Way To Blue, and then in 2013 with The Devil Put Dinosaurs Here. The loss of Staley can be felt, but the alchemy between Cantrell and DuVall created a new future for a band that was originally thought to never be able to get back on its feet. Now, with an equal split of albums through two generations of Seattle's defining grunge and alternative metal band, Rainier Fog is another step in the right direction for Alice In Chains, despite falling for some of the cliches of an aggressive band getting older, and some thematic material getting recycled.

August 11, 2018

Gorillaz - The Now Now Review

Gorillaz - The Now Now Review

Gorillaz - The Now Now Review

In terms of an all-encompassing artistic package, few bands come close to the audio-visual experience that is the Gorillaz. The only group that immediately comes to mind who truly comes close to or possibly exceeds in their musical and visual cohesion may be an act such as Tool, but not many bands show as much complete dedication to their visual aesthetic as Gorillaz, a co-collaboration between British singer-songwriter Damon Albarn and comic artist Jamie Hewlett. These two members have worked in tandem with each other to birth a mythology of virtual cartoon band members to go along with their albums, singles, and music videos. These four members, named Murdoc, Russel, 2-D, and Noodle, broke through the rock, electronic, and hip-pop mainstream consciousness with their storied music videos and live, projected stage presence with Albarn and his backing band. Just a year after releasing their feature-stuffed, colorful, and somewhat polarizing album Humanz, their legacy continues with their spontaneously released follow up, The Now Now.

June 23, 2018

Nine Inch Nails - Bad Witch & the EP trilogy Review

Nine Inch Nails - Bad Witch and the EP trilogy Review

Nine Inch Nails - Bad Witch and the EP trilogy Review

Prelude

After Nine Inch Nails's last studio album, 2013's Hesitation Marks, underpinning an even more polished and poised electronic-industrial Trent Reznor, expectations were reasonably high for his eventual follow-up album. However, Reznor had been neck deep in scoring feature films and television shows with multiple time collaborator and director David Fincher, and the eye-opening documentaries Before The Flood and The Vietnam War, essentially fulfilling his lifelong dream of writing musical scores for films, and winning a Grammy while at it. No one could blame Reznor for being so ambitious, but it seemed almost impossible to imagine how he could fit Nine Inch Nails into such a tight schedule. Nevertheless, Reznor announced that 2016 would see new NIN material, and so anticipation ramped up. That same year, Reznor's longtime collaborator, Atticus Ross, was announced as the first official member to join Nine Inch Nails (Reznor would always use repeated and dedicated touring musicians to help him fully realize his primarily solo musical visions on stage). During the final month of the year, Reznor and Ross made good on their promise, finally announcing Not The Actual Events, the first EP in a series of three planned releases to comprise of an EP trilogy to be released right before the end of the year. Although this is a review of their final release of the three, Bad Witch, this is also a retrospective look at all three releases, and how the trilogy fits together as a whole, starting with Not The Actual Events.

June 17, 2018

Seun Kuti & Egypt 80 - Black Times Review

Seun Kuti and Egypt 80 - Black Times Review

Seun Kuti and Egypt 80 - Black Times Review

As a fan of the always captivating genre of Afrobeat (African funk, soul, and jazz) and the legendary leader of the social-musical-political movement in said genre, Fela Kuti, I was delighted to learn that his music has lived on in his two musical sons, Femi, and Seun, Kuti. As I confess to not being fully aware of these brothers' catalogues since I was always obsessively digging into Fela's discography, I was filled with joy and wonderment to listen to Seun's brand new 2018 album, Black Times, released in the beginning of March, and notably felt stunned when listening to the uncanny continuation of Fela's legacy. Seun continues to carry the torch with Fela's original live band, Egypt 80, formally known as Nigeria '70, then Africa '70, in what can only be described as a bombastic celebration of revolution and humanity personified through Afrobeat music.